Thanks to FORSTER and Rainer Kraft from Kraft Consulting for their recent photos of the colourful acoustic panels that have now been fabricated at Forster’s factory in Waidhofen, Austria. Later this summer (2021) these panels will be installed along side 356m of Trans-Canada Highway (Hwy 1) between Ironworkers Memorial Second Narrows Crossing and Lynn Creek in the District of North Vancouver.
The public artwork, MERGE, will feature twenty naturalistic colours representing a selection of local flora, fauna and landmarks specific to the Lynnmour community and area. The ~620 powder-coated aluminum panels have been carefully configured to produce a giant site-specific spectrum designed to be viewed by both passing traffic and residents in nearby communities.
Thanks to the Maple Ridge-Pitt Meadow News for their recent article about our upcoming project at the renovated Maple Ridge Leisure Centre. We’re looking forward to the community workshop series with local groups this November.
We are very pleased to announce the recent installation of ‘Giant’, a 71’ tall artwork commissioned by PC Urban for the newly rebuilt Lightworks Building, located at 22 East 5th Avenue in Vancouver’s Mt. Pleasant neighbourhood.
At 71′ tall, ‘Giant’ represents a juvenile Douglas Fir tree, standing at the approximate height a real Douglas Fir might be in 2018, had it started from seed when the original Lightworks building was first built in 1942.
Our special thanks to Gerald Nimchuk and his great team at East Van Vinyl for their expert printing and precision installation. East Van Vinyl are located on 6th Avenue, only one block away from GIANT! Thank you also to Wade Girgulis, Project Manager at PC Urban and Jan Ballard and her team at Ballard Fine Art for this opportunity.
GIANT installation half way. The installation took place in two phases and took four days to complete.
On the doors at the main entrance to the Lightworks Building the GIANT image is fritted inside the glass panes for added protection
WHERENESS, located at Cambie & 50th, Vancouver. More here. Happy to announce that the new public artwork ‘Whereness’ was successfully installed at the Cambria site in early August 2016. Landscaping at base coming soon.
We had a fun morning photographing CITY FABRIC from a 125′ boom lift.
Thanks to United Rentals and the great team at GNW Scene Shop for their generous support and assistance!
CITY FABRIC is installed and open to the public under the south end of Vancouver’s Burrard Bridge from August 1 to September 30, 2015.
Join Project Space for their Monthly Open Studio presentation of “Wir Bauen Eine Neue Stadt (We Build A New City),” an exhibition of photographic works based on themes of architecture and urbanism that features artwork by Rebecca Bayer, David Gregory and Ryan Ming. A special edition zine and series of postcards realized for the exhibition will be available.
“Fantasma” is a series by Rebecca Bayer and David Gregory that explores the potential of space beneath Vancouver’s viaduct infrastructure. These images layer a repeated silk-screened pattern, derived from the negative space surrounding the Dunsmuir Viaduct, over alternately processed photographs developed on rag paper.
“Moving on Up” is a series of photographs Ryan Ming has taken throughout Vancouver, documenting various forms of high-rise housing developments built in the 1960s and 70s. The images display an interchangeability in the appearance of raw concrete and geometrics that seem indistinguishable from postwar housing estates in Europe.
REBECCA BAYER is an artist and architectural designer whose work concentrates on ways people interact with the materiality of the city.
DAVID GREGORY is a photographer who focuses on Vancouver as both a subject and a backdrop, addressing ideas concerning public and private space.
RYAN MING is a Vancouver-based writer and artist. His photography examines themes of time, urban fragments and landscape documentation, utilizing a cinematographic approach.
It’s been several years in the works but CITY FABRIC is now underway and due for installation under the south end of Vancouver’s Burrard Bridge this Summer. Rebecca (spacemakeplace) and Matthew Soules (MSA) have recently been material testing. More to come soon…
“The [Burrard] Inlet and Indian Arm have been a source of sustenance for the Tsleil-Waututh people since time out of mind. Our Elders taught us that when the tide went out, the table was set. Industrial development over the past 75 years has made it impossible for our children to enjoy the natural resources that our grandmothers and grandfathers enjoyed.” – Chief Leah George-Wilson of the Tsleil-Waututh Nation
BOUNTY is a public art proposal by spacemakeplace inspired by a quote from Chief Leah George-Wilson of the Tsleil-Waututh Nation. Her people have lived on the shores around Burrard Inlet for millennia. BOUNTY is intended to honor the commitment and spirit of many local communities situated in Vancouver, especially around Burrard Inlet, who are stewards of our waters, air and land.
BOUNTY abstracts a Littleneck Clam, native to Burrard Inlet, by enlarging it to the size of seating and then casting it in white Ductal®, an ultra-high performance concrete. Ductal® has a fine, shell-like finish and can render realistic detail but is incredibly resilient to hostile environments and so is a perfect material for use in public art where tactility and durability are important.
The outsize proportion of the clam sculpture signifies the abundance, or BOUNTY of seafood that a clean and healthy Burrard Inlet can provide. Three clams are proposed to be clustered in a public plaza in Port Moody, BC. as a monument to this important body of water.
Rebecca and IMu made this mini maquette of one of the “Two Sisters” before STORYTELLING goes to final production. It is exciting to see a 3D preview! The finished STORYTELLING sculptures will be 62″ tall and fabricated from cut aluminum.
Five thousand years ago a huge glacier, a mile thick covered what is now Vancouver, BC.
As this massive ice sheet flowed down the Fraser Valley and across the Lower Mainland, it pushed and crushed mountains of rock in its path. When the giant ice sheet receded back up into the mountains at the end of the last Ice Age it deposited millions of large boulders in its wake.
These glacial erratics remain scattered all over Vancouver, usually buried below the city. As Vancouver grows and the land is developed and redeveloped these ancient boulders are exposed by excavation and removed, once again setting them in motion.